Dana A.

Director of Marketing & Communications, Tessitura Network

Paul K.

Product Analyst, Tessitura Network

Seven tips for delivering virtual experiences

5 min

Since the very beginning of the coronavirus pandemic, arts and culture have been spilling out of online spaces.

We’ve embarked on virtual tours, taken online classes, and watched countless live-streamed performances. We’ve seen science snacks and foster dogs roaming aquariums. Here at Tessitura, organizations using our e-commerce platform have sold more than 10 times as many digital experiences this year than at this time last year.

Many of the initial ventures into virtual experiences were free: Facebook Live streams or classes offered on Instagram Live. But it soon became clear that sharing everything for free would not be sustainable over the long course of the pandemic. 

So how do you get started with monetizing and managing virtual experiences? We’ve taken a look at the arts and cultural industry and have put together some tips to help you plan.

1. Understand what experience you will be ticketing

The first step relies on the decisions of your artistic or programming team. Are you looking to offer live-streamed events or produced videos? Virtual tours or field trips for your garden or gallery? Remote classes or workshops? Exclusive lectures, panel discussions, or Q&A with a featured author or athlete? A single event or a series?

You may need to meet your production team halfway on the technology front. One of your organization’s first logistical decisions should be how to create, store, and share the content. For example, are you looking to transmit a video or live-stream, or do you need to foster real-time interaction? Do you need a technology partner who can help you select the right equipment and set up your infrastructure?

Screenshot showing the heading A Midsummer Night's Dream and a video of a theatrical production

You may want to verify that your potential partner’s terms of service permit you to sell the hosted content independently and embed the content on your site, depending on your distribution plans. Always consider the quality and price of any third-party platforms. Finally, and perhaps most importantly, make sure you think through any technology integrations or internal workflows that touch your ticketing processes.

2. Determine your pricing structure

Once you have planned those logistics, it is important to consider how you will offer the virtual experience to your audiences in a way that make it feel both affordable and worthwhile — while still maintaining the value of your product. Some questions to ask include: Will you extend offers to draw people in? Will you offer discounts to donors, members, or VIPs?

This may be the right time to set up a pay-what-you-wish model for your content, until you find the right price. A pay-what-you-wish model can help you gauge your audience’s price sensitivity — and generosity.

Remember that virtual experiences can bring in cultural consumers beyond your local area (we’ll come back to this in Tip #5). Once people can connect with you without visiting in person, you may discover a national or even global audience. Consider this alongside your pricing structure and make sure to include all local and national tax obligations in your planning.

This may be the right time to set up a pay-what-you-wish model for your content.

3. Encourage donations

While virtual events can’t always command the same prices as in-person experiences, they do often foster the kind of gratitude that results in spontaneous donations. Collaborate closely with your fundraising team. If you have fixed ticket prices rather than pay-what-you-wish, consider setting up your purchase path to accept add-on donations. And regardless of your ticketing model, make it easy for participants to contribute during or immediately after their virtual experience.

The Houston Symphony has been holding online concerts since May, charging first $10 per household ticket and later raising that to $20. As their CMO Gwen Watkins shared in this webinar presented by Capacity Interactive, the Symphony consistently garnered an extra 50% in revenue from add-on donations. After several weeks, they raised their suggested donation amount from $10 to $20, and saw their average donation amount go up by around 20%.

Screenshot from the Houston Symphony website showing the purchase of an online concert, Live from Jones Hall: American Strings: From Folk to Film

4. Refine access

By now you’ve determined how your customers will access your virtual experiences, and you’ve set up your pricing. Depending on your specific content, you may want — or need — to further limit access to the product by time, person, or other criteria.

Unique links or access codes are some of the ways you can restrict access to your digital content. If you decide to use a code, consider limiting usage of that code so it can’t be shared with others who haven’t purchased a ticket.

Here are some access models to consider:

  • You can offer your digital experience as a rental, where a customer purchases the experience and can then access the content for a specific period of time afterward. This is how Alliance Theatre offered their production of Naked Mole Rat Gets Dressed: ticket purchasers selected a day that their access would begin. Once they received their video link, they had 48 hours to access the video of the show.
  • For time-specific events like livestreams or virtual meetings, you can restrict availability of resources to a specific number of days before and/or after the date of the performance product. Celebrity Series of Boston uses this model, in which ticket buyers can watch the event live as well as access the recording for three more days.
  • A membership model extends access to a specific group of people, such as SFJAZZ’s members-only Fridays at Five concerts.

Screenshot from the SFJAZZ website showing 'Fridays at Five' with a photo of the band Pink Martini 

Remember that it’s important to message any restrictions to your customers in clear terms. Learning about limitations like these after a purchase can create confusion or, even worse, resentment. Transparency is key, especially if your audiences are new to these kinds of digital experiences. 

It’s important to message any restrictions to your customers in clear terms. Transparency is key, especially if your audiences are new to digital experiences. 

5. Communicate and promote

Digital experiences are new for many organizations, but recent research shows that by June of 2020, more than 50% of existing cultural consumers had already engaged with an organization in the virtual space. Keep in mind that in seeking your audience’s attention, you’re not just competing with experiences in your geographic area — you’re competing with experiences around the world. 

At the same time, you have two advantages. One is the opportunity to reach a brand-new audience in new geographic territory. The other is the loyalty of your existing customers and patrons, many of whom will be eager to support you. Both require their own targeting and messaging, and have the potential to extend to reach during this time.

6. Make it easy

You want your patrons to have a seamless experience in the virtual space, just as you would want for their experience in your venue. Channel the same spirit in which you would offer transportation directions and parking information for an in-person visit, and make it easy for them to access the digital experience that they have purchased. For example, consider including a direct link to the purchased digital performance in the email confirmation and on the receipt page.

Channel the same spirit in which you would offer parking information, and make it easy for your customers to access the digital experience they have purchased.

Set up automated reminder emails with essential information that your customers will appreciate, and schedule them to go out before the event begins, before the viewing window ends, or at other key times. 

Screenshot showing 'Account Section' and then 'Digital Experiences' with three past orders listed

7. Manage traffic

Don’t make the mistake of thinking that you only have to think about website traffic for in-person blockbusters. Your customers may be longing to connect with the experiences you have to offer, so consider the traffic for your on-sale as well as the item itself, if you’re offering a virtual experience that people will be accessing all at once.

Evaluate the number of customers that have purchased a product and the time they will be accessing the content. Just like you would with major on-sale events, you can manage that additional load on your site using a virtual waiting room. Encourage your customers to log in early to give themselves more time to relax before their virtual experience begins, just as you would encourage them to arrive early for an in-person event.

Finally: review and refine

Sometimes the easiest way to start down the road of digital experiences is just that: to start. Start small if that helps. After your first foray, review the audience response as well as internal procedures. What went well, and what do you want to do differently? From that point, you can refine your plans and expand if desired.

As you get your feet under you, remember that the virtual experience itself is an important part of your customers’ overall relationship with you. To grow engagement over time, it’s important to be able to track this specific audience segment. That will allow you to tailor your interactions with them and build a relationship that in turn will help you build your program further.

While the coronavirus has put physical distance between us, arts and culture still hold the ability to bring us all together—in ways perhaps we hadn’t even imagined previously. These challenging times have brought forth a wealth of creativity that is an opportunity to maintain and build our connections with culture. 

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If you are looking to get started with our digital content features or TNEW, please visit our Help System or contact support at hello@tesssituranetwork.com.

 

Top photo by Brooke Cagle on Unsplash

 

Topics

Arts & Culture

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COVID-19

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Digital

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Virtual Experiences

Dana A.

Dana Astmann

Director of Marketing & Communications
Tessitura Network

Dana Astmann joined the Tessitura staff in 2016 and in 2021 took on her current role leading the marketing team.

In her previous position as Manager of Communications at the Yale School of Music, she served as the lead content strategist for YSM's Webby-nominated website and the editor of the alumni magazine. Earlier jobs include box office and development positions at the Norfolk (Connecticut) Chamber Music Festival and Long Wharf Theatre, respectively. Dana holds a B.A. in music from Vassar College and an M.A. in musicology from the University of Toronto. A native of New Haven, Connecticut, Dana is a board member of Congregation Mishkan Israel and plays accordion with the klezmer ensemble Nu Haven Kapelye.
Paul K.

Paul Kappel

Product Analyst
Tessitura Network

Paul Kappel is the Business Analyst for TNEW on the Innovation Team.

Prior to joining the network, he has worked with many Network members while a Senior Consultant at JCA. At JCA, Paul was an integral part of numerous Tessitura implementations and data conversions, as well as provided consulting on best practices and development of customizations and reporting. Paul joined JCA after years of experience at Goodman Theatre in Chicago, Woolly Mammoth Theatre Company, and the Levine School of Music in Washington, D.C.

Paul earned a Bachelor of Arts degree in Arts Management from the University of Richmond, and currently lives in Chicago, IL. When he can't be found doing analysis, it's a good assumption that you will find him out running the Lake Shore Trail or skiing in Utah.